By G. E. Bentley Jr.
The serious Heritage gathers jointly a wide physique of serious assets on significant figures in literature. every one quantity offers modern responses to a writer's paintings, permitting pupil and researcher to learn the cloth themselves.
NOTE at the TEXT
Part I Blake’s Life
1 normal comments
2 exterior events
6 ‘He is usually in Paradise’
Part II Writings
7 reports of Malkin’s account of Blake (1806)
8 basic comments
9 Poetical Sketches (1783)
10 The booklet of Thel (1789)
11 The French Revolution (1791)
12 Songs of Innocence and of expertise (1789, 1794)
13 the US (1793) and Europe (1794)
14 Descriptive Catalogue (1809)
15 Jerusalem (1804–?20)
Part III Drawings
16 General comments
Part IV Engraved designs
17 General comments
18 Salzmann, components of Morality (1791)
19 Burger, Leonora (1796)
20 Cumberland, strategies on define (1796)
21 Stuart and Revett, Antiquities of Athens, vol. III, 1794
22 Young, evening strategies (1797)
23 Hayley, Essay on Sculpture (1800)
24 Hayley, Designs to a chain of Ballads (1802)
25 Hayley, Life...of William Cowper (1803)
26 Hayley, Triumphs of mood (1803)
27 Hoare, educational Correspondence (1804)
28 Hayley, Ballads (1805)
29 Blair, The Grave (1808)
General reviews, 1805–63
General reviews, 1810–26
30 The Prologue and Characters of Chaucer’s Pilgrims (1812)
31 Virgil, Pastorals (1821)
32 Remember Me! (1825, 1826)
33 Illustrations of The ebook of task (1826)
34 Blake’s Illustrations of Dante (?1838)
Part V normal essays on Blake
35 B.H.MALKIN, A Father’s Memoirs of his baby, 1806
36 H.C.ROBINSON, ‘William Blake, artist, poet and non secular mystic’, Vaterländisches Museum, translated, 1811
37 Obituary in Literary Gazette, 1827
38 Obituary in Literary Chronicle, 1827
39 ALLAN CUNNINGHAM, ‘William Blake’ in his Lives of... British Painters, 1830
40 ANON., ‘The innovations of William Blake, painter and poet’, London college journal, 1830
41 ANON., ‘The final of the supernaturalists’, Fraser’s journal, 1830
42 FREDERICK TATHAM, ‘Life of Blake’, ?1832
Part VI Forgotten Years: References to William Blake 1831– 62
ANNOTATED INDEX OF NAMES
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Extra info for William Blake: The Critical Heritage
The best of them, in their time, are probably those that follow. An Introduction to the Study of Blake (1927, 1952, 1967) by Max Plowman is clear and engagingly enthusiastic, though it has few claims to originality. Middleton Murry’s William Blake (1933, 1936, 1964), on the other hand, is vigorously original, as in his claim that Blake was simultaneously a profound ‘Christian’ and ‘a great Communist’. Both works were much admired by a generation of Blake students. A more lastingly useful introduction to Blake appeared in Jacob Bronowski’s William Blake 1757–1827: A Man without a Mask (1945; expanded in William Blake and Revolution, 1969) which applies deftly and convincingly a wide range of relevant and little-used information to show how Blake’s contemporary economic and political background directed and thwarted his work.
129–259, which is a reading 20 INTRODUCTION of the theological passages in Blake’s poetry. Naturally most general books on Blake also deal with his religious ideas, but today they tend to do so in the context of his myth rather than of his life. Psychology An obviously related subject is Blake’s psychology, for most of the major psychological ‘discoveries’ of the twentieth century have been found adumbrated in Blake’s poetry. Unfortunately, most of the psychologists are self-taught amateurs, and the professionals are rather worse.
Keynes (1972–116 plates in colour); Heads of the Poets, ed. Wright (1925–18 plates); Milton, Poems in English, ed. Keynes (1926–53 plates); Illustrations to Young’s Night Thoughts, ed. Keynes (1927–30 plates out of 537 designs); Illustrations of the Book of Job, ed. Binyon (1935),12 ed. Hofer (1937—the ‘New Zealand’ set); Bunyan, The 14 INTRODUCTION Pilgrim’s Progress, ed. Keynes (1941–29 plates); and The BlakeVarley Sketchbook of 1819, ed. M. Butlin (2 vols, 1969). To these specialized series should be added The Drawings and Engravings, ed.