By Robert Aldrich
Via an evidence of 40 figures in eu tradition, ^The Seduction of the Mediterranean argues that the Mediterranean, classical and modern, was once the primary subject in homoerotic writing and paintings from the 1750s to the Fifties. Episodes of exile, homicide, drug-taking, wild gay orgies and proceedings are woven into an unique learn of an important subject in eu tradition. the parable of a homoerotic Mediterranean made an enormous contribution to normal attitudes in the direction of Antiquity, the Renaissance and smooth Italy and Greece.
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By the time he finishes his speech the night is late, the assembly drunk and sleepy. Some wander off, including Alcibiades; Socrates spends the night philosophising at Agathon’s house and goes about his daily business on the morrow. The ending of the Symposium is rather enigmatic. The revelation that Alcibiades and Socrates could not develop a relationship may indicate Socrates’ failure to educate Alcibiades in the true nature of love, to elevate him from physical love to love of knowledge. 50 What is perhaps most important in the legacy which the Symposium bequeathed to later ‘homosexuals’ is the simple fact that one of Greece’s greatest philosophers wrote a dialogue on love which concentrated on ‘homosexual’ love, and that others, including Socrates, a great dramatist, a renowed poet and a respected physician, saw Eros primarily in this guise.
Even without an explicitly sexual link, their partnership embodies intimate friendship, male-bonding and valour. They are the most illustrious of Greek male couples—Theseus and Peirithous, Orestes and Pylades, Damian and Pythias, and Alexander and Hephaestion are other examples. A particularly attractive set of lovers for later writers were a real couple, Harmodius and Aristogeiton. Hipparchus, father of the dictator Hippias, tried to attract the affection of the young Harmodius, who was uninterested.
Greek prototypes therefore defined future Western views of what was handsome and manly and, by contrast, what was unattractive and unmanly; in writing and art, the Greeks bequeathed to the Western world a model of beauty—to say that someone is as handsome as a Greek god is an intentional or unconscious allusion to Greek aesthetics. GREEK LOVE POETRY Greek poetry also served as a model for later writers, who penned Pindaric odes, idylls in the style of Theocritus or other sorts of verse in Greek form.