The Free Spirit: A Study of Liberal Humanism in the Novels by C. B. Cox PDF

The Free Spirit: A Study of Liberal Humanism in the Novels by C. B. Cox PDF

By C. B. Cox

The novelists the writer have selected to check intimately — George Eliot, Henry James, E. M. Forster, Virginia Woolf, and Angus Wilson — all have attempted to narrate liberalism to social realism, and the implications have frequently been careworn. Their greatness stems partially from their sensibility to this challenge so extremely important to our civilization.
1. creation: The Liberal Dilemma
2. George Eliot: The Conservative-Reformer
3. Henry James and the artwork of non-public Relationship
4. E.M.Forster's Island
5. The Solitude of Virginia Woolf
6. Angus Wilson: stories in Depression
7. end: the trendy Novel

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Extra resources for The Free Spirit: A Study of Liberal Humanism in the Novels of George Eliot, Henry James, E.M.Forster, Virginia Woold, Angus Wilson

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FLEMISH LITERATURE - EARLY 20TH CENTURY 25 gium, which was characterized at that time by a remarkable advancement to the level of European thought. Other historians affirm that the twentieth century, that is the modern period in literature, starts only with or after World War I. This view of course finds strong arguments in the fact that modernism by that time had spread throughout Europe: "la belle epoque" was over, we experienced the "roaring twenties" - the famous "Zwanziger Jahre" in Germany - and the explosion of Dada throughout the Western world.

In these reviews and articles he himself has outlined his position as a modernist. He has done it sharply and clearly, with a precise argumentation and with the lucidity and perspicuity of reasoning that will be familiar to those of you who know his prose-grotesques. His logic was rarely wasted upon idle appraisement, but was constantly to serve the expression and propagation of his own ideas. His criticism is creative rather than descriptive. The few poets he valued and praised as well as those who fell victim to his destructive criticism were but a provocation for him to come to terms with the principles of modernism that formed the basis of his own work.

M. Musschoot (Ghent), who helped me a great deal in the elaboration of this paper. 24 A. VAN ELSLANDER lands, could have been of greater importance for a renaissance of language and literature in the Flemish provinces, if it had not been followed by the foundation in 1830 of a new kingdom in which the official language was first exclusively, and later on predominantly, French. But at that time, shortly after 1830, a nationalist movement came into being. 1 It ought to be stressed, however, that French was still used in Flanders by the ruEng classes up to about forty years ago, a circumstance that explains the important contribution to French-speaking literature of Flemish authors such as the Nobel Prize winner Maurice Maeterlinck, who was born in Ghent in 1862.

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