By John Cage
Silence, John Cage’s first e-book and epic masterpiece, used to be released in October 1961. In those lectures, ratings, and writings, Cage attempts, as he says, to discover a manner of writing that comes from rules, isn't really approximately them, yet that produces them. usually those writings contain mesostics and essays created by way of subjecting the paintings of different writers to probability techniques utilizing the I Ching. Fifty years later comes a stunning re-creation with a foreword via eminent tune critic Kyle Gann. A landmark ebook in American arts and tradition, Silence has been translated into greater than 40 languages and has bought over part 1000000 copies world wide. Wesleyan collage Press is proud to rejoice the 50th anniversary of the book’s ebook with this certain hardcover version.
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Additional resources for Silence: Lectures and Writings (50th Anniversary Edition)
Like redemption, reparation carries with it both the spiritual sense of salvation and atonement and economic connotations of compensation and dues collected. When in 1919 reparation entered the European vocabulary with a new political charge, it also took on two more meanings: first, as the OED puts it 'compensation for war damage owed by the aggressor' and second, as a direct result of the former, reparation, in an Empsonian manner, began to haemorrhage into almost the opposite of the rightful justice it was supposed to connote.
Every such identification is in the nature of a desexualization or even of a sublimation. It now seems as though when a transformation of this kind takes place, an instinctual defusion occurs at the same time. After sublimation the erotic component no 38 The Destructive Element longer has the power to bind the whole of the destructiveness [Destruktionsneigung] that was combined with it, and this is released in the form of an inclination to aggression and destruction. This defusion would be the source of the general character of the harshness and cruelty exhibited by the ideal- the dictatorial 'Thou Shalt'.
This defusion would be the source of the general character of the harshness and cruelty exhibited by the ideal- the dictatorial 'Thou Shalt'. sz This is the same passage that Edward Glover quotes in his 1931 paper on sublimation where he translates 'the whole of destructiveness' ('Destruktionsneigung') as 'the whole of the destructive elements'. Where Klein's first description of sublimation secured the child's arrival in a world of cultural value (with each gender equipped with its own reparative talents), here sublimation, in the form of identification with the super-ego, signals a loss of authority and the setting loose of aggression and destruction.