Get Outside the Lines: Talking with Contemporary Gay Poets PDF

Get Outside the Lines: Talking with Contemporary Gay Poets PDF

By Christopher Matthew Hennessy

"Outside the traces explores the non-public and old forces that experience formed the paintings of a dozen talented poets. The solutions given to Hennessy's astute, completely adapted questions remind a reader how fascinating poetry should be, and the way writers create, via language, the realm as we have now by no means recognized it. those adventuresome interviews will stir somebody who cares in regards to the making of art."---Bernard Cooper, writer of Maps to AnywhereEditor Christopher Hennessy gathers interviews with essentially the most major figures in modern American poetry. whereas each one poet is homosexual, those encompassing, craft-centered interviews replicate the range in their respective arts and function a testomony to the effect homosexual poets have had and may proceed to have on modern poetics.The e-book comprises twelve frank, excessive interviews with a few of America's best-known and enjoyed poets, who've not just loved extensive serious acclaim yet who've had lasting effect on either the homosexual culture and the modern canon writ huge, for instance, Frank Bidart, the overdue Thom Gunn, and J. D. McClatchy. essentially the most commemorated and revered poets, nonetheless in the course of their careers, also are integrated, for instance, Mark Doty, Carl Phillips, and Reginald Shepherd. every one interview explores the poet's entire paintings thus far, frequently illuminating the poet's technical evolution and emotional progress, probing shifts in subject matter, or even investigating hyperlinks among verse and sexuality.In addition to a particular bibliography of works via tested poets, the e-book additionally encompasses a checklist of works through more moderen and rising poets who're good on their solution to changing into very important voices of the hot millennium.

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Additional info for Outside the Lines: Talking with Contemporary Gay Poets

Sample text

I think it’s very important to keep alive the sense that poems can be long structures that have much development, a large central action that pursues, with a great deal of variety, connected issues. Our sense of Milton would be utterly different if he had not written Paradise Lost and his other long poems. On the other hand, the history of poetry is also full of long poem projects that in fact do not add to one’s sense of the poet or even diminish it. But as a possibility for art, it’s a very important one.

I deeply think it makes one’s life better—it makes one’s life possible—but making is not always inherently a good thing. Hitler made the German war machine. He made World War II happen. Trying to impose a paradigm on the world and forcing the world to correspond to it—that’s an act of making too, and it’s incredibly destructive. Take the movie The Bridge on the River Kwai. It’s about a bridge being built in World War II by British soldiers to serve the Japanese. The soldiers are making it very grudgingly and with a lot of sabotage until a British colonel, played by Alec Guinness, makes it into a project connected to his own ego and sense of identity.

I asked each of them separately what they thought of the other’s poetry, and each of them said the same thing: “Oh, I can’t read it. ” Their poetry is immensely different—much more different than mine is from either of [theirs]. Once I was at a bene‹t for some imprisoned students in the sixties at San Francisco State, and there were lots of poets reading for the bene‹t: one was Elizabeth Bishop, and one was a protégé of Michael McClure called Free Wheeling Frank, literally a Hells Angel, who had written poetry dedicated to Beelzebub and so on.

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