By Brian Moeran, Jesper Strandgaard Pedersen
Gala's, gala's and aggressive occasions play an important function within the inventive industries; but their importance has been mostly ignored. This e-book explores the position of such occasions via a sequence of reports that come with the most iconic gala's and fairs on this planet. It brings jointly a group of amazing students to ascertain paintings festivals, biennales, auctions, booklet gala's, tv programming markets, movie gala's, animation movie fairs, state track fairs, type weeks, wine classifications and wine tasting occasions. This assorted set of reviews indicates that such occasions serve quite a few reasons: as field-configuring occasions (FCEs), as a manner of ritualising practices and as 'tournaments of values' the place individuals negotiate various cultural values to unravel monetary matters. compatible for lecturers and practitioners, this e-book offers a desirable new viewpoint at the function and value of gala's, gala's and aggressive occasions within the inventive industries
gala's, gala's and aggressive occasions play an important position within the inventive industries; but their value has been mostly missed. This ebook explores the function of such occasions via a sequence of experiences that come with probably the most iconic festivals and gala's on the earth. It brings jointly a workforce of special students to check paintings festivals, biennales, auctions, booklet gala's, tv programming markets, movie gala's, animation movie fairs, state song gala's, type weeks, wine classifications and wine tasting occasions. This assorted set of experiences exhibits that such occasions serve quite a few reasons: as field-configuring occasions (FCEs), as a fashion of ritualising practices and as 'tournaments of values' the place individuals negotiate various cultural values to solve monetary concerns. appropriate for teachers and practitioners, this publication provides a desirable new standpoint at the position and value of gala's, fairs and aggressive occasions within the inventive industries. Read more... record of figures -- record of tables -- checklist of participants -- Foreword -- Acknowledgments -- advent Brian Moeran and Jesper Strandgaard Pedersen -- 1. A salon's lifestyles: box configuring occasion, strength and contestation in an artistic box He;lène Delacour and Bernard Leca -- 2. paintings festivals: the industry as medium Don Thompson -- three. Biennalization and its discontents Jeannine Tang -- four. Staging auctions: allowing trade values to be contested and demonstrated Charles W. Smith -- five. The ebook reasonable as a match of values Brian Moeran -- 6. Inventing common tv: constrained entry, promotional extravagance, and the distribution of price at international tv markets Timothy Havens 7. reworking movie product identities: the prestige results of ecu optimum movie fairs, 1996-2005 Stephen Mezias, Jesper Strandgaard Pedersen, Ji-Hyun Kim, Silviya Svejenova and Carmelo Mazza -- eight. Field-configuring occasions: institutionalization and upkeep in an animation movie pageant Charles-Clemens Rüling -- nine. culture and transformation on the Fan reasonable competition Jennifer C. Lena -- 10. among artwork and trade: London style Week as exchange reasonable and style spectacle Joanne Entwistle and Agnès Rocamora -- eleven. Configuring sustainability at type Week Lise Skov and Janne Meier -- 12. An inconvenient truce: cultural creation and rivalry after the 1855 Medoc wine type occasion Gre;goire Croidieu -- thirteen. The retrospective use of event rituals in box configuration: the case of the 1976 'Judgement of Paris' wine tasting Narasimhan Anand -- Afterword: changing values into different values: gala's and fairs as source valuation and buying and selling occasions Joseph Lampel -- Index
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Additional info for Negotiating values in the creative industries : fairs, festivals and competitive events
Fourthly, appreciative values: primarily, but not exclusively, aesthetic (focusing on such concepts as taste, harmony, creativity, form, style, and so on) and emerging from the ways in which cultural products are praised or damned by critics in media reviews (as in ‘his style is superbly musical and allusive, but the content is vague’). Certain kinds of aesthetic language come to be used for certain kinds of cultural products (think fashion, food, ﬁlm, or wine), and can even be used to make distinctions within categories.
Conﬁguring the volume Whether contributors to this volume follow to the letter Anand and Jones’s argument is a moot point. Anand himself, in his chapter on a wine tasting competition, uses the phrase ‘tournament ritual’. Thompson, Smith, Moeran and Havens all talk of ‘tournaments of values’ or value. Rüling, Skov and Meier and Mezias and his co-authors prefer ﬁeld-conﬁguring events. Delacour and Leca, as well as Lena, combine the two, while Skov and Meier introduce the concept of ‘ﬁgured world’.
In other words, although auction prices almost always have an impact on other prices, auctions themselves also ‘tell us where and why different factors have greater and lesser impact in the way social meanings and values are established’. Auction values, Smith argues, are largely shaped by the meanings associated with their physical settings: that is to say, by their situational values. One of the points made by Smith concerns the way in which some participants – in particular, the audience – is made invisible during a performance.