Memory and Popular Film (Inside Popular Film) - download pdf or read online

Memory and Popular Film (Inside Popular Film) - download pdf or read online

By Paul Grainge

Taking Hollywood as its concentration, this well timed publication offers a sustained, interdisciplinary viewpoint on reminiscence and movie from early cinema to the current. contemplating the connection among legit and renowned reminiscence, the politics of reminiscence, and the technological and representational shifts that experience come to influence memory's modern mediation, the e-book contributes to the starting to be debate at the prestige and serve as of the previous in cultural lifestyles and discourse. by means of collecting key critics from movie stories, American stories and cultural experiences, Memory and renowned Film establishes a framework for discussing problems with reminiscence in movie and of movie as reminiscence. including essays at the remembered previous in early movie advertising, inside of well known memory, and at movie gala's, the e-book considers reminiscence movies similar to Forrest Gump, Lone Star, Pleasantville, Rosewood and Jackie Brown.

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1–22. 2 Popular Memory Group, ‘Popular Memory: Theory, Politics, Method’, in Richard Johnson, Gregor McLennan, Bill Schwarz, David Sutton (eds), Making Histories: Studies in History and History Writing (London: Hutchinson and the Centre for Contemporary Cultural Studies, 1982), pp. 205–52. 3 Michel Foucault, ‘Film and Popular Memory’, Radical Philosophy (1975), 28. 4 Marita Sturken, Tangled Memories: The Vietnam War, the AIDS Epidemic, and the Politics of Remembering (Berkeley: University of California Press, 1997), p.

Might not the mob of drunken and unruly Indians, with their illicitly obtained weapons, have been intended by the Chronicles’ producers to serve as surrogates for the mobs of strikers and ‘Reds’ who had so recently rioted in America’s cities? By comparison to the well-turned out Puritans they are as unkempt and wild-eyed as any ‘Red’ or anarchist. They are the threatening other, the dangerous mob, opposing the American values of the sober and hard working Puritans, just as ‘Reds’ and ‘radicals’ opposed the ‘Americanism’ of many government officials and industry leaders.

It is thus Slade’s inability to respect the hegemonic relationship between whites and Others which is associated with the erosion of national unification. At the same time, Slade is linked with Jack Weston; not only do they share a first name, both are aligned with national figures (Glen and 46 Public history, popular memory Lincoln), both are pursuing Molly Jones, and both have a ‘secret mission’ regarding the Pony Express. This paired structure in the classical Hollywood narrative is common, of course, but the ending of The Pony Express is not.

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