By Rudyard Kipling, John Seelye
First released in 1897, Captains brave tells of the high-seas adventures of Harvey Cheyne, the son of an American millionaire, who, after falling from a luxurious ocean liner, is rescued through the raucous group of the fishing send We're right here. Obstinate and spoiled before everything, Harvey sooner or later learns diligence and accountability and earns the camaraderie of the seamen, who deal with him as one in all their very own. a real attempt of personality, Harvey's months aboard the We're right here offer a pleasant glimpse of existence at sea and well-told morals of self-discipline, empathy, and self- reliance.
Introduction through John Seelye.
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Tom, a foundling, is came across one night by way of the benevolent Squire Allworthy and his sister Bridget and taken up as a son of their loved ones; while his sexual escapades and basic misbehavior cause them to banish him, he units out looking for either his fortune and his real identification. Amorous, high-spirited, and packed with what Fielding known as "the wonderful lust of doing good," yet with a bent towards dissolution, Tom Jones is among the first characters in English fiction whose human virtues and vices are realistically depicted.
With new editors who've integrated the main updated scholarship, this revised Pelican Shakespeare sequence often is the most excellent selection for college kids, professors, and basic readers good into the twenty-first century.
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* Authoritative, trustworthy texts
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* New, extra readable exchange trim size
* An essay at the theatrical global of Shakespeare and essays on Shakespeare's existence and the choice of texts
Ann Radcliffe's The Romance of the woodland, first released in 1791, is the epitome of the Gothic novel: a gorgeous, orphaned heiress, a speeding hero, a dissolute, aristocratic villain and a ruined abbey deep in a good woodland are mixed through the writer in a story of suspense the place chance lurks in the back of each mystery trap-door.
By the point depicted during this play, Henry has become the best of English kings. notwithstanding he has retained the typical contact and humorousness he confirmed as Falstaff's bosom blood brother within the components of Henry IV, he has turn into fiercely concentrated. He punishes those that have plotted opposed to him; in conflict opposed to the French, he indicates himself an indomitable chief of fellows; and, on the finish, he conquers even the center of Catherine, the gorgeous daughter of the French king.
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And his love of the new, this thirst for fresh experience and changing scenes persists in Kim's young life: on the Grand Trunk Road, "there were people and new sights at every stride-castes he knew and castes that were altogether out of his experience"; and with the important Sahiba's entourage (the Wife of Bath's world) "this was the life as he would have it-bustling and shouting, the beating of bullocks and the creaking of wheels, lighting of fires and cooking of food, and new sights at every turn of the approving eye ....
It is a note of delight in life, of openness to people and things that is maintained throughout the novel and is the essence of its magic. Kipling's passionate interest in people and their vocabularies and their crafts is, of course, the essence of the magic of all his work. But in all the other books it tends to be marred by aspects of his social ethic-by caution, reserve, distrust, mastered emotion, stiff upper lips, direct puritanism or the occasional puritan's leer, retributive consequences, cruelty masquerading as justifiable restraint or bullying as the assertion of superiority.
However, before we set this change of heart entirely to Eliot's credit, we need to take note of certain difficulties whicK arise rn our reading of the poet for whom he is soliciting our admiration. There is for instance what is probably the most justly famous of all Kipling's poems, his "Recessional" of 1897, quoted in part here: God of our fathers, known of old, Lord of our far-flung battle-line, Beneath whose awful Hand we hold Dominion over palm and pineLord God of Hosts, be with us yet, Lest we forget-lest we forget!