Read e-book online Ascetic Modernism in the Work of T S Eliot and Gustave PDF

Read e-book online Ascetic Modernism in the Work of T S Eliot and Gustave PDF

By Eliot, Thomas Stearns; Flaubert, Gustave; Gott, Henry Michael; Eliot, Thomas Stearns; Flaubert, Gustave

Gott examines Eliot’s The Waste Land (1922) together with Gustave Flaubert’s los angeles Tentation de Saint Antoine (1874). He presents a hugely unique interpreting of either texts and argues stylistic affinity exists among the 2 works

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169 Flaubert’s distaste for politics stemmed from an aesthetic elitism; politics was a bourgeois matter, while he belonged to a self-proclaimed ‘class’ of intellectuals or artists whose sole concern was the creation, cultivation and appreciation of beauty. 172 Nowhere among Flaubert’s work is such a determination more pronounced than in his Tentation, which itself constitutes a sort of tower – what 30 Ascetic Modernism in the Work of T. S. 174 None of Flaubert’s major fiction was subject to more public and private scorn than the Tentation.

Her dalliance with religion retains the structure of the relationships it was meant to replace – having resolved to become ‘une sainte’, she addresses ‘au Seigneur les mêmes paroles de suavité qu’elle murmurait jadis à son amant’229 – with Emma both reading the other party (literature is the category by which the adherence to her ‘faith’ is assessed) and offering herself to be read. 232 This dialogue – like the letters in which it is made evident, locked away 36 Ascetic Modernism in the Work of T.

169 Flaubert’s distaste for politics stemmed from an aesthetic elitism; politics was a bourgeois matter, while he belonged to a self-proclaimed ‘class’ of intellectuals or artists whose sole concern was the creation, cultivation and appreciation of beauty. 172 Nowhere among Flaubert’s work is such a determination more pronounced than in his Tentation, which itself constitutes a sort of tower – what 30 Ascetic Modernism in the Work of T. S. 174 None of Flaubert’s major fiction was subject to more public and private scorn than the Tentation.

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