By Charlene Lunnon, Lisa Hoodless, Gill Paul
In 1999, on the smooth age of ten, Charlene Lunnon and Lisa Hoodless have been snatched as they walked to college. Over the following week, they have been held captive, tortured, raped and virtually killed. information of the girls' disappearance ruled the headlines, and the whole kingdom held its breath, praying for his or her secure go back as a big police hunt did not take place any clues. yet then a miracle occurred. the ladies have been came across alive, their abductor used to be arrested and the case was once closed.
But there has been to be no such closure for Charlene and Lisa. Over the arriving years, their friendship was once strained to brink, as they struggled to reconcile themselves to their painful thoughts and to every other.
Abducted is their surprising first-hand, insider account of ways it feels to be abducted, how they survived their terrible ordeal and the way they've got stumbled on the power to maneuver on and rebuild their lives.
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Additional info for Abducted
Romanticism can be understood, in fact, as a discovery of the potentiality of darkness. For the Enlightenment, the sun had been the literal emblem of rationality and the power of thought; night, in contrast, meant fear, superstition and madness. But as Enlightenment met 2. By Candlelight 43 its Other, Romance, darkness became the site of imagination, mystery, release. And this cultural development alongside scientiﬁc progress would invest the forms of old lighting, which had made darkness real, with retrospective magic.
The words “suffering,” “tyranny,” and later, “afﬂiction” are allowed into the text, and into her thoughts, only to be denied or passed over, yet they are strong words and register the depth of the misery the compensation seeks to hide. So that the room and its furnishings scarcely exist as an objective setting which she inhabits: instead this is a psychological “nest of comforts,” fabricated out of yearning for the warmth of family and maternal love. This is then, it might be argued, a kind of mise en scène, since “the decor itself becomes an actor,” the room introduced into the novel and later reintroduced, to instate Fanny as displaced and refugee person, whose transient accommodations are perpetually under siege.
Soon she is “obliged to overhear what Mrs. Elton and Jane were talking of” (though where she is sitting is unclear) and the same condensation into ridiculousness continues (“Delightful, charming, superior, ﬁrst circles, spheres, lines, ranks, every thing”) until—a complete contrast—the narrative ﬁnally “tunes in” and gives Jane Fairfax’s pointed request to move as a full speech. Though Jane Austen is a novelist whose focus on the visible scene is limited, she is also a novelist who increasingly shows interest in the distinct phenomena of aural attentiveness.