By Charles Dickens
One of the best-loved and such a lot quoted tales of "the guy who invented Christmas"-English author Charles Dickens-A Christmas Carol debuted in 1843 and has touched hundreds of thousands of hearts since.
Cruel miser Ebeneezer Scrooge hasn't ever met a shilling he doesn't like. . .and hardly ever a guy he does. And he hates Christmas so much of all. whilst Scrooge is visited by means of his previous companion, Jacob Marley, and the ghosts of Christmas previous, Christmas current, and yuletide but to come back, he learns everlasting classes of charity, kindness, and goodwill. event a real Victorian Christmas!
A miser learns the real that means of Christmas while 3 ghostly viewers evaluation his earlier and foretell his destiny.
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Additional resources for A Christmas Carol
Mary Barton later reflects that ‘she had that night made the acquaintance of two of the strangest people she ever saw in her life’. Both Margaret and Thyrza suffer from physical weakness which prevents them from interacting in a normative way with society and which makes their inner, veiled world of music so important to them. Thyrza’s music, that symptom of her passionate soul, eventually kills her; as she learns more, her heart, ‘source of music and of love’ (Thyrza, 317) becomes weaker and weaker and she finally dies, unable to achieve union with the soul (Egremont) that she yearns for.
Straight after telling Mary that she thinks she is going blind, she mentions one thing ‘that serves to comfort’ her. She has been to Jacob Butterworth, the singing weaver, who has told her she has a ‘rare fine voice’ and that she ‘may gain ever so much money by singing’ (MB, 52–3). Her first engagement is for a music lecturer at the Mechanics’ Institute, for which she earns a sovereign, and the next day she has to admit to grandfather Job that she is blind (108–9). During the period when she is often absent from home, doing the rounds with the music lecturer, we are told that ‘the blind Margaret [comes] groping in’ to a room (164).
These two threads, the musical and the other-worldly, establish Thyrza’s identity and are drawn upon throughout the novel. 50 In case we have missed the 50 Edward Said, Orientalism (London: Routledge and Kegan Paul, 1978) 167, 184, 207, 309. THE VOICE, THE BREATH AND THE SOUL 17 point in Thyrza, Gissing explicitly links music, the exotic and the occult in a scene at Totty Nancarrow’s. Some factory girls have gone there for tea, and Annie West amuses them with a booklet of ‘Charms, Spells and Incantations;’ on the back was the picture of a much-bejewelled Moorish maiden, with eyes thrown up in prophetic ecstasy; above ran the legend, ‘Wonderfully mysterious and peculiar’.